Soulja Boy is crediting a recent session with Kanye West for expanding his mind as a musician.
Last month, Soulja Boy visited New York City for media rounds and to shoot a cover for XXL magazine.
During his time there, Soulja worked with both 50 Cent and Kanye West.
While his work with 50 was released as a video, “Mean Mug”, Soulja Boy’s music with Kanye West has yet to be heard.
He revealed that Kid Cudi joined them, and they completed several verses for an undisclosed amount of tracks.
Working with Kanye, and hearing an advanced copy of ‘My Beautiful Dark Twisted Fantasy’, helped Soulja Boy to different creative possibilities he can attempt with his own music.
“We got in the studio: me, Kanye and Kid Cudi. That was dope,” Soulja Boy told AllHipHop.com. “He played some dope beats and we worked around a couple of samples and got a couple verses in. I listened to the finished product that Kanye is on, and that really opened my mind. I don’t even want to say as a rapper, but as a musician. It really opens your mind to different sounds and drum kicks.”
With the music still in the vaults, and Kanye’s album tracklist confirmed, the next logical question is whether Kanye and Soulja’s work will be showcased in an upcoming G.O.O.D. Friday drop.
Kanye’s celebrated series runs until January, and has already featured artists ranging from Charlie Wilson and Keri Hilson, to Jay-Z and Nicki Minaj.
“We’ll have to see,” Soulja said with the laugh of someone caught red-handed. “There’s been some leaking going on. Kanye was kind of mad about that. Wait for those Fridays…”
Soulja Boy’s third solo album, ‘The DeAndre Way’, is set to be released on November 30.
Here goes the most anticipated remaining track, to Kanye West‘s “G.O.O.D. Fridays”, called “All Of The Lights” off of his upcoming album, ‘My Beautiful Dark Twisted Fantasy’ which is just a few weeks away from being released on November 22nd. YAY!!!
The song is created with the triumphant feel of the multiple horns, the melody, and the production. The song features the likes of, John Legend, The-Dream, Ryan Leslie, Tony Williams, Charlie Wilson, La Roux’s Elly Jackson, Alicia Keys, Fergie, Kid Cudi, Rihanna, and the legendary Elton John. West does all the verses and the guest stars are scattered throughout hooks and bridges. Kanye uses a combination of rapping, singing, repetition, and memorable lines. If that doesn’t keep you entertained enough, then the bridges sure will.
From the fellas to the female’s “we’re going all the way this time” breakdown, which is sick from beginning to end. The song is DOPE from start to finish. Kanye not only did his thing personally, but made it all work with the talent involved by creating such a unique sound from one to the next. Nothin’ but thumbs up for Kanye West, he definitely knows how to create some good tunes. The single is getting tons of buzz around the net, and is quite epic, so be sure to check it out below.
Download & Listen to the after the jump….Enjoy it, it’s DOPE!!
Jay-Z and Kanye West are working on a full album together.
The pair previously announced they were to collaborate for an EP called ‘Watch the Throne’, but Kanye has since revealed this will now become an album.
He told MTV:
“We’re putting out a whole album now. We had done five songs so far, but then a few of them kind of were out there – and I put them on my album. Sorry, Jay!”
Although Kanye used some of their initial ideas for his forthcoming ‘My Beautiful Dark Twisted Fantasy’ album – including the track “Monster”, a version of which featuring Jay-Z has been released – he added the pair have set a date to record again, and he doesn’t expect Jay to have any problems coming up with lyrics.
He added:
“We’re going to the South of France at the end of this month just to record new ideas. We’ll probably be done with the album in like a day or whatever. If you think about it, it’s really easy for Jay: He only has to think of, like, 10 verses!”
Kanye has a long association with Jay, working with the star as a producer on his breakthrough album ‘The Blueprint’ in 2001.
Jay-Z to Stump for Obama Again in 2012
During the 2008 presidential election, Jay-Z made it known that he was rooting for now-President Barack Obama. The rap superstar appeared at campaign rallies with Obama and even sang his praises during (typically sold-out) shows.
Jay-Z hasn’t been involved in the upcoming mid-term elections, but that doesn’t mean he’s done with politics. While speaking with the New York Post, Deputy White House Press Secretary William Burton made it sound like the Obama camp is expecting Jay-Z to help out in 2012.
Burton joked about the rapper taking over a key economic post before admitting his appeal to the Democratic party.
“In all seriousness, keep in mind he was pretty active during the 2008 election, so I don’t think it’d surprise anyone that he would be involved again,” Burton said. “But it’s a little premature.”
I’m A Business, Man! Jay-Z’s 10 Smartest Business Decisions According to Vibe Magazine
Guess who’s bizzack? Less than a month before the release of “Decoded”, a book that breaks down the meanings behind many of his most complicated lyrics, Jay-Z is proving once again why he landed atop of the Forbes “Hip-Hop Cash Kings” list late last summer.
Last week, Hov teamed up with Microsoft‘s search engine Bing to launch an advertisement campaign that will see pages from his upcoming book plastered to billboards throughout the country as well as surfaces like the bottom of a pool and the top of a pool table. Jay-Z fans are encouraged to use Bing to find and locate these pages, and the first fan that locates all of them and “decodes” them properly will win a chance
to catch a Jay-Z concert in Las Vegas on New Year’s Eve.
It’s already proven to be an incredibly deft business move by Jay-Z. The promotion has given the book a ton of free press and a good chance of moving off bookshelves quickly on Nov. 16.
In honor of Hov‘s latest deal, VIBE looks back at 10 of his smartest business decisions. If you’ve ever wondered how he managed to take his life from Marcy to Madison Square, look no further.
“I think the list is a bit bogus. Nothing against VIBE by all means they are a great magazine. I just feel the list could have been put together more for his Business/Investment ventures, rather than what kind of champagne he prefers, but that’s just me.”
Here’s one from wikipedia.org:
Jay-Z has also established himself as an entrepreneur like his fellow hip hop moguls and friends, Russell Simmons, Dr. Dre and Sean “Diddy” Combs, who also have business holdings such as record companies and clothing lines. In an interview, he stated that “my brands are an extension of me. They’re close to me. It’s not like running GM, where there’s no emotional attachment.” He is the founder of the urban clothing brand Rocawear along with Damon Dash. Rocawear has clothing lines and accessories for men, women and children. The line was taken over by Jay-Z in early 2006 following a falling out with Dash. In March 2007, Jay-Z sold the rights to the Rocawear brand to Iconix Brand Group, for $204 million. Jay-Z will retain his stake in the company and will continue to oversee the marketing, licensing and product development.He also co-owns The 40/40 Club, an upscale sports bar that started in New York City and has since expanded to Atlantic City and Chicago. In 2008, the 40/40 club in Las Vegas was closed down and bought back by the hotel after attendance steadily declined. Future plans will see 40/40 Clubs in Tokyo and Singapore. In 2005, Jay-Z became an investor in Carol’s Daughter, a line of beauty products, including products for hair, skin, and hands, as well as fragrances.
Jay-Z serves as co-brand director for Budweiser Select and collaborates with the company on strategic marketing programs and creative ad development. He provides direction on brand programs and ads that appear on TV, radio, print, and high-profile events. He is a part-owner of the New Jersey Nets NBA team paying a reported $4.5 million for his share. He is interested in relocating the team to Brooklyn. In October 2005, he was reported in English media as considering buying a stake of Arsenal F.C., an English soccer team. He has also invested in a real estate development venture called J Hotels which recently acquired a $66 million mid-block parcel in Chelsea, New York. Jay-Z and his partners are contemplating constructing a high-end hotel or an art gallery building on the newly acquired site which has the potential to go up about twelve stories. Through his company Gain Global Investments Network LLC, had an interest estimated between 2 and 7% in the Aqueduct Entertainment Group (AEG) consortium which in January 2010 was awarded a contract to operate a 4,500 slot machine racino at the Aqueduct Race Track. Jay-Z became interested in the project after New York Governor David Paterson who awarded the contract said there had to be an affirmative action component to the ownership. Jay-Z initially approached Steve Wynn who was also bidding on the contract. On March 9, 2010, Jay-Z and Flake withdrew from the project and Paterson recused himself from further involvement.
Jay-Z’s Interview With The Wall Street Journal
Here are excerpts from an interview from The Wall Street Journal with Jay-Z in his office.
WSJ: This book puts a frame around your career. When did you really start thinking about how you wanted to present your legacy?
Jay-Z: You think about legacy before you even start. When a kid is practicing on the basketball court, it’s “5-4-3-2-1 and the crowd goes crazy!”
As you start realizing your dreams and it’s tangible, you think about it in a real way. But I think that emotion happens from the beginning, from record one.
The legacy, I think about that as I make the music, all the time. How can I make the best album of all time? You always fail. But every time I go up to bat, I’m thinking how can I make an album better than “Thriller.”
WSJ: I’ve talked to some of your friends who say that when you guys make personal career decisions, you’re taking into account how the decisions will move hip-hop culture forward overall. Can you give me an example?
Jay-Z: For us, this is the music that saved a generation. So there’s a big responsibility for those who it saved to make sure that thing is intact for the next generation. We’re the first generation that really took advantage of it, starting with Puff [Daddy] and Master P, guys who really made a name and became successful as entrepreneurs.
Even more than that, when you’re under attack so much as a genre [as hip hop is], you’re forced to come together. But probably the last time we really came together on something was working for Obama, lending our voice and the people we had toward that campaign. Whether he does a great job or not is almost secondary to what it did for the dreams and the hopes of an entire race. Just based on that alone, it’s a success, the biggest we’ve had. Period. To date. It’s Martin Luther King’s dream realized. Tangible. In the flesh. You can shake his hand.
WSJ: What would you change about hip-hop if you could?
Jay-Z: We have to find our way back to true emotion. This is going to sound so sappy, but love is the only thing that stands the test of time. “The Miseducation of Lauryn Hill” was all about love. Andre 3000, “The Love Below.” Even NWA, at its core, that was about love for a neighborhood.
We’re chasing a lot of sounds now, but I’m not hearing anyone’s real voice. The emotion of where you are in your life. The mortgage scandal. People losing their jobs. I want to hear about that.
WSJ: What’s the most important decision you made along the way to help keep your career in your own hands?
Jay-Z: We got lucky. In the beginning we couldn’t get a deal. We had to work our own records in the beginning. It gave us a different way to negotiate when we came to the table. Most people get excited and take the first deal they’re offered. We had a little bit of success already, so we were stubborn enough to think that we could really do it at that point. They offered us a deal and we asked for a co-venture. That pretty much ensured that we’d have control from the beginning, from album one.
WSJ: You don’t hand out awards. Are there other things you say no to automatically?
Jay-Z: That doesn’t have anything to do with building the myth. I’m just uncomfortable speaking. I can do a stadium show for two hours and I’m in my comfort zone. But if you look at any of my acceptance speeches they’re maybe seven seconds. I want to get off the stage.
Check out a video below of an exclusive Amazon.com interview with Jay-Z about his book “Decoded”
Jay drops some book knowledge in this exclusive interview for Amazon.com. He gives more detail about what we can expect from “Decoded” when it hits stores on November 16th.
Kanye West just revealed the cover art for his upcoming album, ‘My Beautiful Dark Twisted Fantasy’, due to come out later next month (November 22nd). While presenting the cover, the artist also communicated that the cover was banned in the USA. You can expect an alternative cover, at least for the US market. One can for sure say that the cover suits the title of the album!
This is what West had to say about his album cover via his twitter….
Mr. West claims the powers-that-be won’t allow this to be the cover image of ‘My Beautiful Dark Twisted Fantasy’. Back to the drawing board.
Kanye West announced the official album title on Tuesday morning (October 5) via his Twitter. The name has been floating around for some time in various rumor reports and blog postings, but in the shorter iteration of ‘Dark Twisted Fantasy’.
“The first song on the album is called “Dark Fantasy” produced by the RZA, co-produced by me and No I.D.” West added. “I ain’t letting no leaks have any [effect] on my song choices… “All of the Lights” is the next single, but wait till y’all hear the final!”
On Monday, West also confirmed the album’s release date, November 22. The project will arrive a day before Nicki Minaj‘s debut, ‘Pink Friday,’ and a number of other albums getting a jumpstart on the holiday shopping season.
The first two singles from ‘My Beautiful Dark Twisted Fantasy’ have already been released, “Power” and “Runaway,” featuring Pusha T.
Another track scheduled to appear on the project, “Lost in the World,” leaked online last week, leading West to announce he was canceling his weekly free “G.O.O.D. Fridays” music offering. But by Friday night, he recanted and delivered the sartorial “Christian Dior Denim Flow,” featuring John Legend, Kid Cudi, Pusha T, Lloyd Banks and Ryan Leslie.
On Tuesday, West also assured fans of the G.O.O.D offerings that some of those songs would be included on the album too.
In other news….
Kanye West’s ‘Runaway’ London Screening Was A ‘Mad Event’
After showing ‘surreal’ film, West stuck around for two hours of Q&A, MTV UK reporter says. Kanye West invited a very select group of about 100 journalists and bloggers to the Wednesday-night London screening of his 35-minute art film for the song “Runaway.” Among them was MTV UK reporter Tom Thorogood, who got on the phone on Thursday morning (October 7) to talk about the typically over-the-top audience with the Louis Vuitton Don.
“It was a mad event,” Thorogood said of the screening, which included a rambling two-hour Q&A session during which West took any and all questions about the film and his upcoming albums. “Halfway through, an American guy from his label asked for one last question and just as the person asked it, Kanye said, ‘Why is this the last question?’ and said he was happy to talk as long as people wanted him to.”
Thorogood said there are perhaps only two dozen words spoken in the “ambitious … great looking” 35-minute art movie, whose narrative he described as “very loose and abstract.” If anything, he suspected it could be chopped up into five separate mind-bending music videos, though it only uses heavily altered snippets of West‘s music that are quite different from the versions of such songs as “Monster,” “Runaway” and the Bon Iver-sampling “Lost in the World” that fans have heard so far.
“It opens with shots of Kanye in a sports car and slow motion shots of deer and then you see a huge explosion and you see he’s crashed into the Phoenix,” said Thorogood of the other star of the film, model Selita Ebanks, who plays the Phoenix and who has been seen on ‘Ye’s arm at events lately. “He picks her up in his arms and walks away from the car which explodes behind him.” The title of the film then flashes on the screen and the first voice you hear is a snippet of Nicki Minaj‘s English-accented rhyme from “Monster.”
In another scene, Thorogood said you hear a brief bit of “Power,” which Kanye taps out on the same kind of MPC drum machine he played on both the VMAs and on “Saturday Night Live.” The three- to four-minute bit features Ebanks silently dancing around West as the song plays. “It was quite clear that [the movie is about] what he said about this before being about his story … a representation of his career,” Thorogood said.
And in a setup cued to the new song “Lights” that is likely to be the most iconic of the film, Thorogood said Kanye (a.k.a. “Griffin”) and the Phoenix watch as a marching band stomps across the screen carrying a giant, somewhat flimsy-looking papier-mâché model of Michael Jackson‘s head.
“With the passing of Michael Jackson, I feel a responsibility to bring things to our generation that can inspire and bring real culture to pop culture,” West told the audience in London about the film shot over four grueling days in Prague last month. “I want to use my power in a proper way.”
In another pivotal scene, West and the Phoenix arrive for a formal dinner at a huge table and are given weird looks by their fellow diners, one of whom asks, “Why didn’t you leave the monkey in the zoo?”
Thorogood said the film had French subtitles for the sparse dialogue, which were likely a holdover from Tuesday night’s screening in Paris, since West said the version he showed in London was still a rough cut. Among the other new songs featured in the movie is one called “Blame Game,” which contains a healthy sample of the melancholy piano groove in cult electronic musician Aphex Twin‘s 2001 song “Avril 14th,” as well as vocals from frequent ‘Ye collaborator John Legend, which the rapper said may or may not make the final cut of the album.
West introduced the film to his London audience by saying, ” ‘Purple Rain,’ [Pink Floyd’s] ‘The Wall,’ Michael Jackson’s ‘Thriller’ — I wanted to do a modern version of that.” He also said that about “90 percent” of the music featured in the film appears on his upcoming fifth album, My Beautiful Dark Twisted Fantasy, due out on November 22.
Plus….
Kanye West Adds M.I.A., La Roux And Alicia Keys To Album, ‘My Beautiful Dark Twisted Fantasy,’ which might also feature Jay-Z, Kid Cudi, Mos Def and Santigold.
It was the court of the Crimson King (remember the red suit at the VMAs?) on Wednesday in London as Kanye West spoke to a select group of journalists and bloggers about his upcoming “Runaway” mini-movie and accompanying album, ‘My Beautiful Dark Twisted Fantasy,’ due out November 22.
In addition to screening the nearly wordless, trippy fantasia on the high prices of fame and individuality, ‘Ye also dropped some information on a number of the collaborators he’s got lined up for the album. According to our colleague Tom Thorogood of MTV UK, during a rambling two-hour Q&A session, West mentioned that he’s been in the studio with everyone from Alicia Keys to M.I.A., Kid Cudi, Mos Def and Santigold working on tracks for Fantasy.
He also confirmed that Bon Iver’s Justin Vernon is “all over” the album, a fact we already learned when a demo of “Lost in the World” recently leaked, which features re-recorded vocals from the BI track “Woods.” The pair reportedly recorded at least nine tracks together, and West has said Vernon is slated to appear on multiple songs.
Among the other new tracks featured in the movie is “Blame Game,” which contains a healthy sample of the melancholy piano groove in cult electronic musician Aphex Twin’s 2001 song “Avril 14th,” as well as vocals from frequent ‘Ye collaborator John Legend, which may or may not make the album’s final cut. Other collaborators who’ve dropped in on sessions include Wu-Tang mastermind RZA and hip-hop icon Pete Rock.
NME also reports that West said the album could feature vocals from La Roux‘s flame-haired frontwoman, Elly Jackson, as well as Chicago hip-hop don producer No ID.
‘Ye also said he’s traveling back to France soon — he debuted the film there Tuesday — to finish work on his mini-album with Jay-Z, ‘Watch the Throne’.
And, in typically epic Kanye fashion, the Chicago MC said he’s planning a spectacular live show for the “Fantasy tour”, which he wants to wind up in front of the Egyptian pyramids. Unfortunately, he told the crowd, they’re not available until April.
Which Kanye collabo are you most excited about?
Listen to Kanye West ft. Drake – “All Of The Lights (Ghetto University)” below….
JNEL & J. Magazine 