Posted in Ashlee Simpson-Wentz, Eric Johnson, Jessica Simpson, Joe Simpson, Kenny Chesney, Keri Johnson, Nick Lachey, Renee Zellweger, Ryan Seacrest, Vanessa Minnillo, Wedding Bliss

Wedding Bliss: Jessica Simpson Engaged?!

Sources have confirmed to UsMagazine.com that Jessica Simpson dud in fact got engaged to beau Eric Johnson on Thursday, just days after Us broke the news that her ex-husband, Nick Lachey, popped the question to Vanessa Minnillo, his love of nearly five years. Simpson and Lachey, 37, split in 2005, after three years of marriage.

On Saturday, Simpson flashed a sizable ring on her left hand during an appearance at Dillard’s at Oak Park Mall in Kansas City. Multiple sources later confirmed the pair was planning to tie the knot.

“We are excited to confirm that they are engaged,” Simpson’s rep told People.

The Texas native began dating the former NFL player in May while he was estranged from his first wife, stylist Keri Johnson; their divorce was finalized five months later.

“I met a wonderful man. Damn I’m lucky!” Simpson tweeted in September, gushing about her new relationship.

The newly engaged couple will spend Thanksgiving in New York, where Simpson is scheduled to perform during Macy’s Thanksgiving Day parade; Johnson‘s family will join her on the float.

“Having a boyfriend through the holidays, we’re going to see how that all splits up,” the singer told Ryan Seacrest during a KIIS-FM radio interview last week. “I can’t imagine not being with my nephew and watching him open gifts. Maybe someone gets Christmas Eve and somebody gets Christmas day.”

Though Ashlee Simpson-Wentz recently told Us that her sister “is happy, so we’re all really happy,” sources insist that most of Simpson‘s friends are concerned about Johnson‘s motives for dating the singer.

“Eric was never that successful in the NFL, but he’s always wanted the celebrity lifestyle,” a source told Us in October. “Her friends do not trust him.”

Jessica’s Engagement News Greeted With Jeers, Skepticism

If Jessica Simpson expected the Internet to erupt in a collective “mazel tov!” when she confirmed her engagement to Eric Johnson on Sunday, she probably felt a wee bit disappointed.

The goodwill that the likeable starlet, 30, has long enjoyed (except maybe for that mom jeans moment) seemed to take a nasty turn at the news that Johnson, her boyfriend of five-plus months, had slipped a non-traditional-looking gold, ruby and diamond engagement ring on her finger.

Amid a smattering of well-wishes, the online masses found a lot to gripe about over her betrothal. Chief among the complaints: That the question-popping announcement came off as — and we’re paraphrasing here — a “desperate,” “pathetic” and “tacky” case of face-saving “one-upmanship,” falling as it did just days after Simpson‘s ex-husband, Nick Lachey, proposed to Vanessa Minnillo, his girlfriend of four years.

Other factors contributing to the wave of disapproval and predictions of romantic doom included the swiftness of their engagement; the fact that Johnson finalized his divorce just last month; and that his career has been in limbo since his post-Yale stint with the NFL (he reportedly bailed on pursuing his MBA at the Wharton School of Business when he hooked up with Jessica in May).

One commenter has even coined the phrase “pulling a Jessica,” which apparently means dropping hints to your boyfriend that it’s time to make a commitment, for better or worse.

Our take? We’ve always liked Simpson and wish her nothing but happiness. Are we worried that she’s rushing into things with Johnson? Sure, but love doesn’t necessarily follow a timeline. Plenty of couples have sprinted to the altar and enjoyed a happily-ever-after (and plenty of others haven’t — we’re looking at you, Renee Zellweger and Kenny Chesney).

Either way, we strongly urge Jessica to get a prenup.

Also, the timing is definitely … awkward. Would it have been better from a PR standpoint for them to keep the betrothal hush-hush for a few months to get some distance from Nick and Vanessa? Almost certainly.

Simpson and Johnson‘s engagement is now irrevocably tied to Lachey and Minnillo‘s, with the dueling nuptials sure to fuel a tabloid competition: Who has the better ring? Whose dress is more elaborate? Who will star in “Newlyweds 2.0”? Who will get knocked up first (by the by, we expect the shotgun-wedding rumors to start any second now for Jess and Eric)? It’s not an ideal situation for either duo.

The proposal also comes amid talk that Jessica was “deeply saddened” by Nick‘s engagement (she insists that she couldn’t be happier for her ex, whom she split with in 2005), and that she’d taken a potshot at Minnillo during a recent run-in at a Los Angeles restaurant, supposedly sniping, “I hope Vanessa likes her clothes because I bought them for her, since Nick took all my money.”

Still, Simpson has made it clear (as is her public-gushing custom) that Johnson is everything she could want and more.

“This is just normal, thank God. He’s very, very supportive,” Simpson enthused to People mag last month of her “hottie” squeeze. “[I] couldn’t ask for a better man in my life right now.”

Speaking of men in her life, we can’t forget to mention her dad, Joe, who reportedly never warmed up to Lachey, causing tension in the MTV-chronicled marriage.

He quickly tweeted his best wishes, saying that he’s “so very happy for Jess and Eric. May they have a lifetime of joy and happiness.” No word on whether that also includes giving them some space.

In what we consider a troubling sign, Papa Joe tagged along back in July when Jess celebrated her 30th birthday with Johnson on a yacht in Capri. Paparazzi snapped him standing just a few uncomfortable feet away as his little girl smooched and straddled her beau.

Source: Wonderwall

“What are your thoughts about Jessica’s engagement? I think it’s a bit selfish on her man’s part (Eric Johnson), being that she probably didn’t know about it, but we really never know. Either way congrats to the couple. I wish them good luck & love.”

 

Posted in "Last Girl on Earth Tour", "Loud", "Love The Way You Lie", "S&M”, 'Rated R', 'Doritos Late Night', 'Last Girl On Tour', 'Pon De Replay’, 'So Kodak', All On The Cover, Avril Lavigne, “Cheers”, “Fading Away”, “Firework”, “Hot Toddy”, “Man Down”, “Not Myself Tonight”, “Only Girl (In The World)”, “Only Girl”, “Peacock”, “rebelle fleur”, “What's My Name”, Battleship, Billboard Magazine, Currently Reading, Drake, Ester Dean, Gabriela Schwartz, IDJMG, Julie Pilat, Katy Perry, Mikkel Storleer Eriksen, newstands, Nicki Minaj, Peter Berg, Reb’l Fleur, Rihanna, Saturday Night Live, Tor Erik Hermansen

All On The Cover: Rihanna Covers Billboard Magazine

This is definitely Rihanna‘s moment to shine. She has been spotted globally everywhere promoting her new album ‘LOUD’. She has also just  joined the Kodak team as its newest spokesperson for their ‘So Kodak’ campaign as well as the ‘Doritos Late Night’ campaign. You can now check her out gracing the the cover of Billboard Magazine. Below I have a few excerpts as well as photos magazine scans from her feature.

Excerpts after the jump….

It’s been just six weeks since Rihanna’s wax figure was unveiled, but already it needs a makeover. The creepily life-like sculpture, which assumed its place in Madame Tussaud’s Washington, D.C., outpost on Aug. 31, immortalizes the biker chick-meets-”Blade Runner” look that the pop star rocked this past winter: shoulder-padded blazer, airtight corset, shimmery makeup and a haircut that only she could pull off, part-buzz cut and part-blonde-streaked, sideways swoop.

But Rihanna has moved on since then, now sporting mostly shoulder-length, barrel-curled locks in a shade twice as fluorescent as fire-engine red. Her new look is less severe, more romantic. A day after the figure’s unveiling, a photograph of the Barbadian singer kissing her waxen self appeared on Twitter and made it abundantly clear how much she’s changed.

“A lot of people dress like Lady Gaga now. I’ve just stepped off into a whole new look and style,” Rihanna says calmly, phoning in just before a flight to London after a nonstop week of work and play in New York. “The whole shoulder pad thing, and the architectural look, is so sharp-edged and tough. I’m over that. I like floral prints now, which I never liked.

“Trends are boring,” she adds. “It’s boring to see everyone doing the same thing.”

On the bluntly titled, Stargate-produced and Ester Dean-penned “S&M,” for example, Rihanna proudly claims her vices: “I may be bad, but I’m perfectly good at it/Sex in the air, I don’t care, I love the smell of it/Sticks and stones may break my bones, but chains and whips excite me.” On “Cheers,” a twangy bar song that samples Avril Lavigne, she name-checks Jameson Irish whiskey and chants, “Cheers to the freakin’ weekend-drink to that!” “Man Down,” a reggae song featuring rap provocateur Nicki Minaj, turns her into the protagonist of her own murder fantasy. “I took his heart when I pulled out that gun . . . rum-puh-pah-pum, man down . . . oh mama, I just shot a man down.”

“At this point, there’s no denying that she’s more than a cool voice, a pretty face and a hot style,” says Stargate’s Tor Erik Hermansen, who with Mikkel Storleer Eriksen make up the Norwegian duo. “She has a swagger which is unbelievable.”

Hermansen says Rihanna pinpointed “Only Girl” as her lead single “the minute she heard the song. She picks and chooses everything, which to me is crucial. And she has good taste.”

“This is the truest Rihanna album yet because it sounds the most like her first one,” Reid continues. “[2005 debut single] ‘Pon De Replay,’ that was obviously Rihanna at her purest, with that Caribbean-flavored dance-pop music. After that, she went in many different directions only to find herself right back where she really started. Though I think the songs are much better now. Her growth as a vocalist is really evident.”

Rihanna Moves On from Chris Brown

While ‘Loud’ is a crucial album for Rihanna in the wake of lower-than-usual sales for ‘Rated R,’ Reid says the latter album was really her most pivotal. “The last one, to us, that was the one. She was brave. She was speaking what she felt at that moment, and it didn’t matter who came with a song that we thought was a hit. Every song had to tell the story she wanted to tell. ‘Loud’ is the album where she doesn’t have a point to prove. She can just have fun and be Rihanna.”

The singer wholeheartedly agrees. ” ‘Rated R’ showed that I wasn’t a shallow artist,” she says. “I have some depth. There was definitely some growth, going through that dark moment in my life.”

Rihanna never refers to her relationship with Brown in specifics and says she “definitely” prefers to let “Love the Way You Lie” speak for itself, which of course is made easier by the fact that it’s not on her own album. “It’s kind of like the closing to that chapter, and now we’re in a new stage,” she says.

“What happened in her personal life, the way she handled it and worked through it, is truly amazing,” Hermansen says. “As tragic as that was, just to see how she grew as a person and an artist, I think the whole world looked at that and said, ‘OK, this girl is no joke.’ ”

GETTING ‘LOUD’

This isn’t an accomplishment that her label takes lightly, though Reid believes there’s a catch. “She’s clearly multiformat, but the challenge is, which format is hers? As a recording artist, you can have a hit and be a visitor to each format, but to have true artistic success you have to own it. I think she owns rhythm and top 40, but we do suffer a little because we don’t have urban on lock. When you have a black girl from the islands, you want to have urban on lock. So one of the goals that we had was to not force that, but to try and make records we thought were hits and where she could shine.”

“The challenge is complicated when you’re making music that sonically appeals to a dance/top 40 audience,” WQHT (Hot 97) New York PD Ebro Darden says. “When Rihanna makes music that fits the appeal of hip-hop, we play it.”

Julie Pilat, assistant PD/music director for KIIS-FM Los Angeles, says that Rihanna’s multiformat appeal “seems like more of a strength than a weakness,” adding that the star is “welcomed with open arms wherever she goes.”

“I wanted songs that only I can do, not generic songs that everyone else could sing,” Rihanna says. Her collaborations with Dean went a long way in this regard, no doubt in part because both are young, successful female pop hitmakers of color in a heavily male-dominated field.

Dean, who specializes in rhythmic pop songs with a naughty streak (her most recent work includes Usher’s “Hot Toddy,” Katy Perry’s “Peacock” and “Firework,” and Aguilera’s “Not Myself Tonight”, co-wrote “S&M,” “Fading Away” and “What’s My Name,” which will be the second single off “Loud.” She says Rihanna’s biggest strength is that “she doesn’t try to sound like you; she sounds like herself. She’s not in there trying to figure out how she can beat you singing your song. She goes in there and says, ‘I’m going to sing this song because I fucking love it.’ ”

“She really captured me, everything I would say and how I would say it,” Rihanna says of Dean. “Some people get it halfway right. She just gets it and knows exactly what you want to hear.”

Rihanna may not do much of her own songwriting, but by all accounts she was more active than ever in guiding the creative choices for “Loud.” Writing camps took place several months ago in Los Angeles and Miami, where Rihanna, who nearly always uses “we” when discussing the making of her album, says about 100 writers and producers were invited to collaborate and craft songs for consideration. “We gave them guidelines and a bunch of topics,” she says. “We’d have 10 writers in one room and five writers in another room and put them with one producer, then split the group up and put them with another producer.”

“Obviously those are extreme conditions to create something under,” Hermansen says, “but we enjoyed the urgency of the whole project.”

Rihanna Hits the Studio With Drake

For her recent collaboration with Drake, a remix of “What’s My Name” that will appear on “Loud” as a bonus track, Rihanna personally presented the track to the Canadian MC. “She played the record to Drake backstage somewhere to try to get him on a verse,” Hermansen says. “She’s calling me up saying, ‘Where are the files?’ That’s one thing you don’t hear often from artists on her level.”

“Drake is the hottest rapper out right now,” Rihanna says, “and we’ve always been trying to work together. He’s the only person I thought could really understand the melody of the song, and the minute he heard it he said, ‘I know exactly what I’m going to do. I love it.’ And he did it like three days later.”

Much of the actual recording was done while Rihanna was on the road for her “Last Girl on Earth tour,” which kicked off in April in Europe and wrapped in August in the United States. (It will resume early next year in Australia.)

DIRECT TO FAN

Rihanna is the first to admit that making a personal connection with her fans hasn’t been her strong suit up to now. “I just felt like there was this big distance with us,” she says. “You know, they love me, they love how I dress and they move to my music, but they don’t really know who I am.”

That started to change in late August when Rihanna took over her Twitter account, which before had only been used to issue formal announcements. “No more corny label tweets!” she declared, and soon she was going even more direct, announcing the title of her new album in a live chat on fan site RihannaDaily.com. “I just got on there and started talking. Some of them didn’t believe that it was me, like, ‘Oh, fake Rihanna,’ ” she says of the first time she visited the chat. “So I got my best friend to Facebook RihannaDaily so they knew it was really me.”

Rihanna utilized Twitter and Facebook to debut her album cover at the end of September, posting partial images of the artwork on the social networks, then directing fans to her official website RihannaNow.com for the full reveal.

“Fan engagement is a huge driver for us,” IDJMG senior director of marketing Gabriela Schwartz says. “We had a lot of fun with our digital rollout for ‘Rated R,’ which was more about intrigue, countdowns, teasers and building anticipation. This is ‘Loud’ and it’s inclusive, it’s in your face and immediate, which is exactly what the album represents.”

As for other high-profile looks, Rihanna is booked to perform on ABC’s “Good Morning America” fall concert series Nov. 17, the day after “Loud” streets, and on the Halloween episode of NBC’s “Saturday Night Live.”

For the first time, Rihanna is also delving into other sectors of the industry. She’ll launch her first fragrance, titled Reb’l Fleur (a play on words from a tattoo on her neck that reads “rebelle fleur” next spring, and she’s currently filming scenes for “Battleship,” an action movie directed by Peter Berg.

“My favorite part has been shooting in the ocean,” Rihanna gushes, sounding her most excited. “We were going at top speed, and I had to shoot this really badass weapon off the front of the boat. There was gunpowder all in my mouth by the time it finished.”

Rihanna has a stuntwoman for her more daring scenes, but per usual, she’s more likely to take charge. “They always want me to sit down when the dangerous stuff happens, but I am a control freak,” Rihanna says. “So I said, ‘No.’ She doesn’t do it like I would do it.”

For full feature check out Billboard.com